Untitled Pasture 02
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Tag Archives: clouds
Crop Reserve
Because I constructed this large painting straight from the imagination, you can count me out as a realist. From the imagination counts as romanticism, and if it’s considered not ugly, it then falls within Romantic Positivism.
It’s a work in progress, as I see a few things, a few values worth fixing. Maybe some telephone poles. This painting is rather big at 4 feet by 5 feet and, I am getting very comfortable with the larger paintings. Stay tuned!
Amish Harvestore
This is an exciting painting. The unified palette being the reasoning. I gravitate toward the secondary colors, and this one is exemplary of this focus on orange, green, and violet, with a touch of blue in the Harvestore Silo and the faded alizarin crimson in the sky and along the horizon.
Bus Route
The early morning bus ride is often in the magical time of day for most kids who live out in the country.
Brenton Farm Silos
Port
You see yourself as a shipwreck, but we see the treasures glowing inside, beneath the oceans in your eyes.
Night and the City
This sky will not let me go. So, one more before I attempt a larger one. Enjoy.
Iowa Farm Night III
I kind of like how this little series is developing. Time to try it on a larger scale. Be back soon!
Iowa Farm at Night – No. II
I continue to experiment with the many directions one feels are necessary to explore with oil paint.
Serenity Close
It took me a long time to finish this painting. And it’s brighter, with more of a pastel palette than this photo delivers. It’s so soft and quiet. One you have to see in person to allow it to complete its sentiments of the day.
The New Horizon
2021 has come to a close with this last plein air study. Here I now stand, after following the rules of classical form for five years of painting, at the precipice of knowing that what lies ahead is toward the abstract. In order to avoid painting another ho-hum landscape, albeit ones with sound harmony and sensibilities, I’ve realized, from recent in-depth studies of the principles of Cezanne, that true art comes from the corruption and violation of nature. One is otherwise making a replica or a copy of her. The picture is the thing. It is its own thing. A two dimensional thing that must be created in its own right. I’m setting out. Wish me luck.
128 Corn
I have just a few adjustments to make, and then I’ll sign this one. Edit: you are now looking at the updated and final version. Thx!
R16 and 270th. Dallas County Sunrise.
I’ve been driving around the surrounding farmlands this summer and fall, taking photos of future paintings. I just got around to facing, and finishing this one, after starting it a month ago, and being intimidated by the light in it.
12 Sheep
It’s rewarding to knock off a small painting of, say, 12×16 but, I’d like to increase my production of larger paintings such as this one. This is still a work in progress and I’ll only fix a few small details.
Dallas Country Grain
To quote, and borrow a phrase from baseball, “I’m seeing the ball really well right now,” I’ve got 10,000 hours invested in getting to where I can execute this sky and palette. If you go out early in the morning and look, meditate, on the color in the atmosphere, you will soon see that, starting at the horizon, all six colors (the three primary, the three secondary) are there. Follow me: red, orange, yellow, green, blue, violet. From bottom to top. So fun to paint. Enjoy.
East of Adel
I am beginning to drive around the state of Iowa more often, scouting for those special places that may be painted in the early or late light of day. This was a barn just east of Adel, Iowa that I found interesting enough to sketch out. The light, however, is the thing I am after.
“F¥CK, Turn Around.” More appropriately, “Proceed with Caution.”
Trying to build a remuda of skies. This is a rather precarious one we often see here in Iowa.
Iowa Fields
The fields of Iowa have been in the news as of late. For us Iowans, we live, every day, with the idea that, if you build it, they will come.
Gray’s Lake Plein Air sketch
This year, in many ways, is a moving year. One major change in my orbit is to get outside and paint more plein air. Here is a little one hour sketch, in order to begin to stretch the plein air muscles.
Lost Creek
I’ve lived in the State of Colorado twice in my lifetime. Loveland Co. for one year in 1975, before returning to Iowa to attend University. (ISU.) Then again for six years throughout the late 1980’s in Colorado Springs Co. I knew the state well and, often miss the open range feel of the West.
Morning Walk revisited
I painted this very view only a week ago at 12×12. Here is a larger version. I enjoyed the sky and clouds from this vantage point during an early morning rain shower skirting by to the east.
Morning walk
This is a work in progress of the walking bridge that spans Grays’ Lake in Des Moines, Iowa. Currently tacking up a bit so I can add the rest of the bridge structure and railing. Stay tuned for final.
Iowa Summer Storm
Clouds have inspired me lately and, there is every color in the sky. Ultramarine, Cerulean, Viridian, Yellow Ochre, and Alizarin are all used, though very highly tinted, with Titanium White. This, excluding Burnt Umber, is my entire palette.
Guardian
12×24 oil on panel. Sold
Feat. Barry Flanagan’s “Thinker on a Rock.”
Lazily Grazing
24×24 oil paint on mounted wood panel.
This too was painted in its entirety with a little piece of hard plastic. Almost akin to a little trowel. It’s rather exciting and allows one to go extremely short (thick) with the paint.
Lakeside Calm
12×16 oil paint on wood panel
Don’t Look Back
12×24 oil paint on wood panel.
This was painted entirely with a little piece of plastic.
River Bend
18 x 24 oil on canvas – Sold
Exalted
8 x 24 oil on panel
jeff klisares 