I usually stay on a subject for a series of takes and sketches. I’ve reached the finish line on this one.
Tag Archives: farm
Detail of Black Baldies
I feel this is a strong image of Iowa farm life.
Black Baldies
Latest works. Colors are just starting to change.
Untitled Pasture 03
Untitled Pasture 02
Untitled pasture 01
Odebolt Elevator
Crop Reserve
Because I constructed this large painting straight from the imagination, you can count me out as a realist. From the imagination counts as romanticism, and if it’s considered not ugly, it then falls within Romantic Positivism.
It’s a work in progress, as I see a few things, a few values worth fixing. Maybe some telephone poles. This painting is rather big at 4 feet by 5 feet and, I am getting very comfortable with the larger paintings. Stay tuned!
Amish Harvestore
This is an exciting painting. The unified palette being the reasoning. I gravitate toward the secondary colors, and this one is exemplary of this focus on orange, green, and violet, with a touch of blue in the Harvestore Silo and the faded alizarin crimson in the sky and along the horizon.
Bus Route
The early morning bus ride is often in the magical time of day for most kids who live out in the country.
Brenton Farm Silos
Iowa Farm Night III
I kind of like how this little series is developing. Time to try it on a larger scale. Be back soon!
Iowa Farm at Night – No. II
I continue to experiment with the many directions one feels are necessary to explore with oil paint.
Farm
While I am studying and formulating my next ideas of the landscape and it’s language, I’ve delved in to highly abstracted observations in an effort to better solidify my path and direction. I did a series of three 12×12 square panels, this being the first. Stay tuned!
Sauk Country
The latest in the Iowa Sheep series which has found a home in a private collection.
The rural Iowa land scape continues to inspire this painter to reap the beautiful and true from the simplicity of eternal forms that surround us.
128 Corn
I have just a few adjustments to make, and then I’ll sign this one. Edit: you are now looking at the updated and final version. Thx!
R16 and 270th. Dallas County Sunrise.
I’ve been driving around the surrounding farmlands this summer and fall, taking photos of future paintings. I just got around to facing, and finishing this one, after starting it a month ago, and being intimidated by the light in it.
12 Sheep
It’s rewarding to knock off a small painting of, say, 12×16 but, I’d like to increase my production of larger paintings such as this one. This is still a work in progress and I’ll only fix a few small details.
Flock B
Farm life subject matter is something not to be overlooked in Iowa. In fact, it’s a challenge not to consider when looking for striking compositions here in the prairie.
South of Odebolt
Took a nice trip to Odebolt, Iowa to see some farming friends, play some golf, do some grilling, with a side trip to Boyer. Breaking trail with that one.
Dallas Country Grain
To quote, and borrow a phrase from baseball, “I’m seeing the ball really well right now,” I’ve got 10,000 hours invested in getting to where I can execute this sky and palette. If you go out early in the morning and look, meditate, on the color in the atmosphere, you will soon see that, starting at the horizon, all six colors (the three primary, the three secondary) are there. Follow me: red, orange, yellow, green, blue, violet. From bottom to top. So fun to paint. Enjoy.
East of Adel
I am beginning to drive around the state of Iowa more often, scouting for those special places that may be painted in the early or late light of day. This was a barn just east of Adel, Iowa that I found interesting enough to sketch out. The light, however, is the thing I am after.
“F¥CK, Turn Around.” More appropriately, “Proceed with Caution.”
Trying to build a remuda of skies. This is a rather precarious one we often see here in Iowa.
Iowa Fields
The fields of Iowa have been in the news as of late. For us Iowans, we live, every day, with the idea that, if you build it, they will come.
Lost Creek
I’ve lived in the State of Colorado twice in my lifetime. Loveland Co. for one year in 1975, before returning to Iowa to attend University. (ISU.) Then again for six years throughout the late 1980’s in Colorado Springs Co. I knew the state well and, often miss the open range feel of the West.
Iowa Summer Storm
Clouds have inspired me lately and, there is every color in the sky. Ultramarine, Cerulean, Viridian, Yellow Ochre, and Alizarin are all used, though very highly tinted, with Titanium White. This, excluding Burnt Umber, is my entire palette.
Born Yesterday
Something about this little calf I can’t let go of. My attempt, however, was to capture the ethereal quality of the summer Iowa air and landscape.
Gunderson Calf
I loved the photo of this little newborn calf I captured a few weeks ago and, had done a little study in oil previously. Here it is again, in a 12×12, painted for a second time and, a precursor to a large format piece.
Little Calf
Just outside of Odebolt, Iowa where a newborn calf made his debut to life.
Field Check
This is a field study for a larger painting but, fun to do quickly with a palette knife.
Antlers and Orchid
12×12 oil on canvas
Don’t Look Back
12×24 oil paint on wood panel.
This was painted entirely with a little piece of plastic.
Pony
11×14 oil on canvas
Countryside 111
12×24 oil on panel – Sold
Hildreth’s Pond
9×12 oil on wood panel – plein air 05/04/2017
The Replacements
11×14 oil on canvas