Category Archives: 2022 paintings

Untitled Sunrise

48 x 60 oil on canvas

Because I constructed this large painting straight from the imagination, you can count me out as a realist. From the imagination counts as romanticism, and if it’s considered not ugly, it then falls within Romantic Positivism.

It’s a work in progress, as I see a few things, a few values worth fixing. Maybe some telephone poles. This painting is rather big at 4 feet by 5 feet and, I am getting very comfortable with the larger paintings. Stay tuned!

Amish Harvestore

24×30 gallery wrap canvas

This is an exciting painting. The unified palette being the reasoning. I gravitate toward the secondary colors, and this one is exemplary of this focus on orange, green, and violet, with a touch of blue in the Harvestore Silo and the faded alizarin crimson in the sky and along the horizon.

Light Rain

12×12 oil on panel

I consider 10th and Locust, in downtown Des Moines, my neighborhood as it is three blocks from my studio. There is a rather decent Italian restaurant in the building you are looking at, along with the Temple Theater venue for live events. Across the street to the west is a Starbucks, also very convenient for coffee and meetings.

Portrait of an Unidentified Apostle with Donkey

12×24 oil on canvas

Keeping in mind that I am not a religious person, in fact, a recovering catholic as I’ve often called myself, I’ve often imagined illustrating a book of the Bible. Daunting, but probably fun. From what I understand, the apostles were all teenagers when they were called. This is why I would paint them as very young looking, as in the depiction here.

Farm

12”x12” oil on wood panel

While I am studying and formulating my next ideas of the landscape and it’s language, I’ve delved in to highly abstracted observations in an effort to better solidify my path and direction. I did a series of three 12×12 square panels, this being the first. Stay tuned!

Woman with Dog

12×16 oil paint on aluminum

This is a study for a large 4×6 foot painting. I have been considering abstraction and how I might approach the matter. It seems I’ve reached some type of summit in pure representation art, and now want to begin to divide my time between the two.

Who knows, I’ll never know, if a contribution of something uniquely my own can be considered as class A abstract art, if I don’t venture into this space?

Chagall II

30×24 oil on gallery wrap canvas

Kind of like drinking, the funny thing about painting is that you never really get the hang of it. I say this with all seriousness aside, for this is not really a good comparison, nor is it true. My college mates and I had many a laugh about how we failed at drinking most all the time.

The thing is, when it comes to painting, often one’s expectations are explicitly clear but results vary, and this keeps us in the painting game.

Once you have 10,000 hours in, the question still arises, “what to paint?” And, “How shall I paint it?” “What art movement or style am I most closely related to?” But why do we pay attention to such reductive talk? It is because we we are often asked such questions by galleries and collectors.

In the end, one must choose how to make the greatest impact, paint your most astonishing art, give birth to your most honest contribution to the vitality of any art form or style. This is what we are charged with delivering. Like they ask in the business world, “what is your deliverable?” In the case of painting, it’s your honest self.

Chagall

12×12 oil on canvas – sold

I found this Chagall photo reference compelling enough to paint, and this is pretty much alla prima. The background and the shirt are untouched and remain the tinted crimson background color that I prime all canvas.

One of the modernist’s, he advanced the vitality of art by his mastery of cubism, Fauvism and Surrealism.

Diego and Frida

20×24 oil on canvas

Late in 2021, I began to study the methods and approach to painting of Paul Cezanne more intensely. Here was a man who proclaimed “With an apple, I will astonish Paris.” This attitude struck me as the very attitude necessary to face a blank canvas every day. To choose to paint, to make the sacrifices, one must work very hard to do the very best work one is capable of, and one must believe that a serious contribution can be made to the very vitality of the art of painting in our time. This is what I am attempting to do. I cannot let any part of history escape me in order to fortify and support each brush stoke I choose to make. I know this probably all sounds so serious, and it is, for the work one does with the mind, the heart, and the hand together, is the most profound work one can do.

Having said all that, I had some fun in attempting to focus on the muses of Cezanne with this effort. I found an old black and white photo of this historic couple to practice some of the aforementioned methodologies, and this is where I shall stop on this one and move on to a new blank canvas. This is my first painting of the year 2022. Cheers.