This is a new support and a new process I am experimenting with. MJ Harding non-absorbent primer and paint on Rives BFK paper.
Fallow BFK
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Tag Archives: new artwork
Fallow
This is fifth in a series of large format corn harvest paintings. This one being 2 miles east of Granger, Iowa. The sky all subtle hues of the three primary and three secondary colors from horizon to zenith. Violet, red, orange, yellow, green, and blue.
Party Line
Love the Iowa Sky in Fall at harvest time.
Expanse
Go the Distance
24×24
New addition to the ethereal Iowa Harvest Landscape Series.
Early Corn
This is a work-in-progress, and fairly large for me. But it’s turned out great so far. I may just do a tiny bit of adjustments. Enjoy!
Beautiful Day at the Beach
My 12th painting from the gulf coast area. I’ll soon have representation in the area. Stay tuned!
Vanishing Point Sanibel II
My painting practice involves attempting to create a rich and prismatic sky of pastels, from horizon to zenith, as often seen in the magical hours of the day both in the morning and at evening time. This, with a knife.
Vanishing Point Sanibel
Every now and then I have to paint with a knife to see and feel that very fresh paint. This is the beach on Sanibel.
Ian Survivor
I continue to be infatuated with my own little happy staycation place, Sanibel, Florida. The Sea Grape tree, plant, bush, shrub really, is of particular interest since the devastating effects of hurricane Ian. Enjoy.
Ibis Stroll
My practice is currently focused on the Ibis, the Seagrape, and the waters edge of the Gulf of Mexico.
A Walk on the Beach
There is a particular ether to the light at Sanibel Island, Florida. If you know the place, you might be familiar with why this is so. Sanibel is shaped like a shrimp, with Captiva being the tail. The apex of its back, which is exactly where the Casa Ybel property is situated, faces straight south towards Key West and beyond to Havana, Cuba. Therefore, like no other beach, the Sun comes up where the beach meets the water in the East, and goes down where the beach meets the water in the West. Very unique, and very easy to get sun burned there. Stay tuned for more!
Odebolt Elevator in Sac County
There is plenty of subject matter in the small towns of Iowa to build a series of paintings reflecting small town charm. this one is turning out pretty well. What do you think?
Summer Day in Paris
I spent some time in early June in Paris and London. this is the first in a series of city scapes. Stay tuned!
Double Black
Another Steamboat Springs effort from last week’s ski trip.
With a brush
This is a favorite spot of mine on the mountain. This one I did with brushes, the previous version, with a knife.
With a knife
Ski Town
The things I love to do. Ski. Ski Paintings.
Last man down the Hill
I did a larger version of the last painting. This one is stunning in person. Though un-stretched at present, it is obviously intended for the Colorado markets.
Heavenly Daze
This was the year I returned to Steamboat Springs, Colorado and started a series of alpine paintings destined to the Rocky Mountain gallery market. Inquires to my contact page.
Yampa Sleeping Giant
While still a work-in-progress, this strange painting has got me dreaming of Steamboat Springs, Colorado. The mountain “Sleeping Giant” looms in the distance as the horses frolic in the snow covered hills.
Yampa Recess
I remain hopeful that I have a major announcement in the days to come!
Steamboat Lair
Born Day
I usually stay on a subject for a series of takes and sketches. I’ve reached the finish line on this one.
Black Baldies
Latest works. Colors are just starting to change.
Odebolt Elevator
Crop Reserve
Because I constructed this large painting straight from the imagination, you can count me out as a realist. From the imagination counts as romanticism, and if it’s considered not ugly, it then falls within Romantic Positivism.
It’s a work in progress, as I see a few things, a few values worth fixing. Maybe some telephone poles. This painting is rather big at 4 feet by 5 feet and, I am getting very comfortable with the larger paintings. Stay tuned!
Light Rain
I consider 10th and Locust, in downtown Des Moines, my neighborhood as it is three blocks from my studio. There is a rather decent Italian restaurant in the building you are looking at, along with the Temple Theater venue for live events. Across the street to the west is a Starbucks, also very convenient for coffee and meetings.
The Golden Gate
I lived in California for five years in the early 90’s. As a school age kid, I was a California dreamer. Volkswagen beetles and flower power seemed very alluring to me. The entire west did. I eventually discovered it all and, the west and its beauty became my inspiration to paint. The Golden Gate Bridge represented the entire promise of what the west had to offer. Today, it is a vastly different cultural and political climate but, the beauty remains. This painting will most assuredly find a home.
Racoon River in Water Works
This is the result of a two-hour plein air excursion in Des Moines. Though it is not finished, I am hesitant to paint on it again to guard against altering its freshness.
R16 and 270th. Dallas County Sunrise.
I’ve been driving around the surrounding farmlands this summer and fall, taking photos of future paintings. I just got around to facing, and finishing this one, after starting it a month ago, and being intimidated by the light in it.
12 Sheep
It’s rewarding to knock off a small painting of, say, 12×16 but, I’d like to increase my production of larger paintings such as this one. This is still a work in progress and I’ll only fix a few small details.
East of Adel
I am beginning to drive around the state of Iowa more often, scouting for those special places that may be painted in the early or late light of day. This was a barn just east of Adel, Iowa that I found interesting enough to sketch out. The light, however, is the thing I am after.
Iowa Fields
The fields of Iowa have been in the news as of late. For us Iowans, we live, every day, with the idea that, if you build it, they will come.
Gunderson Calf
I loved the photo of this little newborn calf I captured a few weeks ago and, had done a little study in oil previously. Here it is again, in a 12×12, painted for a second time and, a precursor to a large format piece.
Memento IV
Fourth in a series of who knows how many. I’ll be looking for the proper gallery sometime this summer.
Memento III
Memento II
I’ve finally settled on a series of paintings that are related to one another and, it is this group of leftover floral arrangements. Welcome to “Memento.”
Memento for Julie Anne
jeff klisares 