
This is a larger version of my last painting. It was an hour later, so the pedestrians have changed!

This is a larger version of my last painting. It was an hour later, so the pedestrians have changed!

I consider 10th and Locust, in downtown Des Moines, my neighborhood as it is three blocks from my studio. There is a rather decent Italian restaurant in the building you are looking at, along with the Temple Theater venue for live events. Across the street to the west is a Starbucks, also very convenient for coffee and meetings.

The latest in the Iowa Sheep series which has found a home in a private collection.
The rural Iowa land scape continues to inspire this painter to reap the beautiful and true from the simplicity of eternal forms that surround us.

2021 has come to a close with this last plein air study. Here I now stand, after following the rules of classical form for five years of painting, at the precipice of knowing that what lies ahead is toward the abstract. In order to avoid painting another ho-hum landscape, albeit ones with sound harmony and sensibilities, I’ve realized, from recent in-depth studies of the principles of Cezanne, that true art comes from the corruption and violation of nature. One is otherwise making a replica or a copy of her. The picture is the thing. It is its own thing. A two dimensional thing that must be created in its own right. I’m setting out. Wish me luck.

I lived in California for five years in the early 90’s. As a school age kid, I was a California dreamer. Volkswagen beetles and flower power seemed very alluring to me. The entire west did. I eventually discovered it all and, the west and its beauty became my inspiration to paint. The Golden Gate Bridge represented the entire promise of what the west had to offer. Today, it is a vastly different cultural and political climate but, the beauty remains. This painting will most assuredly find a home.

This is the result of a two-hour plein air excursion in Des Moines. Though it is not finished, I am hesitant to paint on it again to guard against altering its freshness.

I have just a few adjustments to make, and then I’ll sign this one. Edit: you are now looking at the updated and final version. Thx!

I’ve been driving around the surrounding farmlands this summer and fall, taking photos of future paintings. I just got around to facing, and finishing this one, after starting it a month ago, and being intimidated by the light in it.

It’s rewarding to knock off a small painting of, say, 12×16 but, I’d like to increase my production of larger paintings such as this one. This is still a work in progress and I’ll only fix a few small details.

Farm life subject matter is something not to be overlooked in Iowa. In fact, it’s a challenge not to consider when looking for striking compositions here in the prairie.

Took a nice trip to Odebolt, Iowa to see some farming friends, play some golf, do some grilling, with a side trip to Boyer. Breaking trail with that one.

I am beginning to drive around the state of Iowa more often, scouting for those special places that may be painted in the early or late light of day. This was a barn just east of Adel, Iowa that I found interesting enough to sketch out. The light, however, is the thing I am after.

The fields of Iowa have been in the news as of late. For us Iowans, we live, every day, with the idea that, if you build it, they will come.

Clouds have inspired me lately and, there is every color in the sky. Ultramarine, Cerulean, Viridian, Yellow Ochre, and Alizarin are all used, though very highly tinted, with Titanium White. This, excluding Burnt Umber, is my entire palette.

Something about this little calf I can’t let go of. My attempt, however, was to capture the ethereal quality of the summer Iowa air and landscape.

I loved the photo of this little newborn calf I captured a few weeks ago and, had done a little study in oil previously. Here it is again, in a 12×12, painted for a second time and, a precursor to a large format piece.

Just outside of Odebolt, Iowa where a newborn calf made his debut to life.

This is a field study for a larger painting but, fun to do quickly with a palette knife.

In and around the Tucson area, there are many photo and painting opportunities. Sometimes, one has to change things around a bit for composition purposes but, the hues, the atmosphere, and the saguaros remain.

9×18 oil paint on panel –Sold
done “en plein air” from our home on Park Point, Duluth Mn. July 12th, 2017

8×12 oil paint – Sold
done “en plein air” from our home on Park Point, Duluth. July 7th 2017

9×12 oil on panel – plein air (missing)

6×12 oil on wood panel

11×14 oil on canvas – sold

12×24 oil on panel – Sold

9×12 oil on wood panel – plein air 05/04/2017

8×10 oil on canvas – Sold

11×14 oil on wood – private collection

8×10 oil on panel – private collection

12×24 oil on canvas – private collection

8×12 oil on panel – sold
I have been fascinated with the aerial lift bridge since seeing it for the first time over seven years ago. Now that we have been spending our summers on Park Point, I have finally gotten around to approaching this marvel as subject matter. I am so taken by it that I intend to keep painting the bridge in all available light. This little jewel turned out to my liking. I hope you enjoy it too!
Henry the Clown tried to hitchhike his way out of town on his escape from the circus he was living in. No one offered Henry a ride and now he is alone and darkness is approaching. He pauses though in revelation on witnessing his very first sunset as a free man. Who knows what tomorrow will bring for our neophyte Henry.
So Henry the clown contemplated the door and has now gone through it out into the world. He is “on the lamb” from the life he was living and is venturing out in the world to see just what it is made of. Stay tuned. We will be right with him through his discoveries, his trials and tribulations, his becoming.